Last edited by Nirisar
Tuesday, August 4, 2020 | History

5 edition of Bach performance practice, 1945-1975 found in the catalog.

Bach performance practice, 1945-1975

Dorottya Fabian

Bach performance practice, 1945-1975

a comprehensive review of sound recordings and literature

by Dorottya Fabian

  • 211 Want to read
  • 34 Currently reading

Published by Ashgate in Aldershot, Hampshire, England, Burlington, VT .
Written in English

    Subjects:
  • Bach, Johann Sebastian, -- 1685-1750 -- Criticism and interpretation,
  • Performance practice (Music) -- History -- 20th century

  • Edition Notes

    StatementDorottya Fabian.
    Classifications
    LC ClassificationsML410.B1 F33 2003
    The Physical Object
    Paginationxiv, 314 p. :
    Number of Pages314
    ID Numbers
    Open LibraryOL15543667M
    ISBN 100754605493
    LC Control Number2002043603
    OCLC/WorldCa51093291

    A Musicology of Performance provides a model for such a method by adopting Deleuzian concepts and various empirical and interdisciplinary procedures. Fabian provides a case study in the repertoire, while presenting new insights into the state of baroque performance practice at the turn of the twenty-first : Open Book Publishers. John Butt considers it likely that this practice of Bach, that he notates everything that is to be played, might be the key reason for the lasting appeal and value of his music. 23 Bach was chastised for it in his own time by Johann Adolf Scheibe () and defended by Johann Abraham Birnbaum () in a public debate that seems to.

      I n an essay published in , 1 John Rink characterized the field of ‘Performance Studies’ in music as consisting of ‘three overlapping domains’: historical performance practice, the psychology of performance, and analysis and performance. Within these he found a series of problematic biases: towards Western art music, solo piano repertory, and the study of tempo Cited by: 1. Fabian, Bach Performance Practice, A Comprehensive Review of Sound Recordings and Literature (Aldershot: Ashgate, ); Eitan Ornoy, "Recording of J.S. Bach's G Minor Adagio for Solo Violin: A Case Study," Journal of Music and Meaning 6 (Spring ); Philip, Early Recordings and Musical.

    Bach Performance Practice, - A Comprehensive Review of Sound Recordings and Literature by Dorottya Fabian University of New South Wales, Australia. October 42 illustrations and 17 music examples. Hardback, pages, x mm. Online shopping from a great selection at Books Store.


Share this book
You might also like
Management accounting for hospitals

Management accounting for hospitals

principle of indemnity in marine insurance contracts

principle of indemnity in marine insurance contracts

Stand By For Mars! (Tom Corbett Space Cadet Adventure)

Stand By For Mars! (Tom Corbett Space Cadet Adventure)

Housing and welfare; an analysis of the living accomodations of public assistance recipients in Saskatchewan.

Housing and welfare; an analysis of the living accomodations of public assistance recipients in Saskatchewan.

Mudflows

Mudflows

Condemned to the mines

Condemned to the mines

Natural history, general and particular

Natural history, general and particular

Understanding the Human Body

Understanding the Human Body

Whos who in Northampton.

Whos who in Northampton.

Yukon Placer mining study

Yukon Placer mining study

Workmens accident compensation in the District of Columbia.

Workmens accident compensation in the District of Columbia.

The hill of summer

The hill of summer

The Agriculture and Horticulture Development (Amendment) Regulations 1983

The Agriculture and Horticulture Development (Amendment) Regulations 1983

Bach performance practice, 1945-1975 by Dorottya Fabian Download PDF EPUB FB2

Analysing over recordings fromthis book examines twentieth-century baroque performance practice as evinced in all the commercially available recordings of J.S.

Bach's Passions, Brandenburg Concertos and Goldberg Variations. Dorottya Fabian presents a qualitative, style-orientated history of the early music movement in its Format: Paperback. Analysing over recordings fromthis book examines twentieth-century baroque performance practice as evinced in all the commercially available recordings of J.S.

Bach's Passions, Brandenburg Concertos and Goldberg Variations. Dorottya Fabian presents a qualitative, style-orientated his. Analysing over recordings fromthis book examines twentieth-century baroque performance practice as evinced in all the commercially available recordings of J.S.

Bach's Passions, Brandenburg Concertos and Goldberg Variations. Dorottya Fabian presents a qualitative, style-orientated history of the early music movement in its formative years through. Analysing over recordings fromthis book examines twentieth-century baroque performance practice as evinced in all the commercially available recordings of J.S.

Bach's Passions, Brandenburg Concertos and Goldberg Variations. Bach Performance Practice, A Comprehensive Review of Sound Recordings and Literature. by FABIAN, Dorottya [Bach (J.S.) *° Music °*]: and a great selection of related books, art and collectibles available now at Get this from a library.

Bach performance practice, a comprehensive review of sound recordings and literature. [Dorottya Fabian] -- "Analysing over recordings fromthis book examines twentieth-century baroque performance practice as evinced in all the commercially available recordings of J.S.

Bach's Passions. Uri Golomb wrote. This monograph is said to be a reworked version of the author’s PhD dissertation ‘Bach Recordings – St Matthew and St John Passions, Brandenburg Concertos and Goldberg Variations—a study of performance practice in the context of the early music movement’ (The University of New South Wales, ).

Walter Berry (8 April – 27 October ) was an Austrian lyric bass-baritone who enjoyed a prominent career in opera. He has been cited as one of several exemplary operatic bass-baritones of his era.

1 Professional career. 5 External links. Professional career. Walter Berry was born in Vienna. He studied voice at the Vienna Music Academy Alma mater: University of Music and Performing Arts. A Musicology of Performance: Theory and Method Based on Bach's Solos for Violin - Ebook written by Dorottya Fabian.

Read this book using Google Play Books app on your PC, android, iOS devices. Download for offline reading, highlight, bookmark or take notes while you read A Musicology of Performance: Theory and Method Based on Bach's Solos for : Dorottya Fabian.

This book examines the nature of musical performance. In it, Dorottya Fabian explores the contributions and limitations of some of these approaches to performance, be they theoretical, cultural, historical, perceptual, or analytical.

Through a detailed investigation of recent recordings of J. Bach’s Six Sonatas and Partitas for Solo Violin, she demonstrates that music Cited by: 2. Dorottya's recent publications include Expressiveness in Music Performance: Empirical Approaches Across Styles and Cultures (edited with R.

Timmers and E. Schubert, ), Musica: The Life and Times of the Great Composers () and Bach Performance Practice A Comprehensive Review of Sound Recordings and Literature (). Bach Performance Practice, A Comprehensive Review of Sound Recordings and Literature by Dorottya Fabian Analysing over recordings fromthis book examines twentieth-century baroque performance practice as evinced in all the commercially available recordings of J.S.

Bach's Passions, Brandenburg Concertos and Goldberg. Book Reviews: "Bach Performance Practice, A Comprehensive Review of Sound Recordings and Literature" by Dorottya Fabian: Journal Article: Download: [Fall ] LeSueur, Richard: Book Reviews: "Recent International Opera Discography" by Charles Parsons: Journal Article: Download: [Fall ] Rooney, Dennis D.

"Dorottya Fabian's Bach Performance Practice, A Comprehensive Review of Sound Recordings and Literature." ===== That is: resources to read about changing trends in performance practice (of old music by dead composers) are available.

Archiv Produktion is a classical music record label of German origin. It originated in as a classical label for the Deutsche Grammophon Gesellschaft (DGG), and in Archiv was established as a subsidiary of DGG, specialising in recordings of Early and Baroque has since developed a particular focus on "historically informed performance" and the work of Genre: Classical/Early music.

As is well known, the interest in historical performance practice is at least a century old. One of the first modem publications in the field was Dann-I Dorottya Fabian: J S.

Bach Recordings St Matthew and St John Passions, Brandenburg Concertos and Goldberg Variations - A Study ofPerformance Practice in the Context of the Early.

UNSW Sydney NSW Australia Telephone +61 2 Authorised by Deputy Vice-Chancellor (Research) UNSW CRICOS Provider Code: G ABN: 57 1 For instance, David Milsom, Theory and Practice in Late Nineteenth-Century Violin Performance: An E ; 2 Ornoy, ‘Recording Analysis,’ Table 2, section ; 1 To introduce and contextualize the recordings analysed in chapters four to five and to account for cultural, personal and educational influences this chapter starts off by surveying the violinists whose Bach Author: Dorottya Fabian.

3 Dorottya Fabian, Bach Performance Practice, A Comprehensive Review of Sound Recordings a ; 10 However honestly one reports averages, such a presentation hides what I believe to be the case: that tempo is a personal thing.

My investigations over the years indicate that there are musicians who like to play fast and there are those who prefer it : Dorottya Fabian. 1 Dorottya Fabian: Bach Recordings – St Matthew an d St John Passions, Brandenburg Concertos and Goldberg Variati ons—a study of performance practice in the context of the early music Author: Dorottya Fabian.Bach performance practice, a comprehensive review of sound recordings and literature.

Fabian, Dorottya. Book. English. Published Aldershot: Ashgate, c Rate this 1/5 2/5 3/5 4/5 5/5 All copies currently out on loan. This item is not reservable because: There are no reservable copies for this title.

Just Good Teaching: Comprehensive Musicianship Through Performance in Theory and Practice is an insightful and compelling overview of a philosophy of teaching that enhances student learning in the rehearsal hall, and engages and inspires the creativity and the musicianship of conductors of all types of :